Position: Vice-Rector for Research, Associate Professor of the Music Theory Department
Academic degree: PhD in Art History (2004)
Academic title: Associate Professor (2009)
Education: Belarusian State Conservatory (1991, class of N.Shimansky), graduate school at the Institute of Art History, Ethnography and Folklore of the National Academy of Sciences of the Republic of Belarus (2000) under the giudance of T.Mdivani
Courses taught: Music Theory, Solfeggio, Score Reading, Polyphony (individual lessons), supervision of theses and master’s theses
Born on May 21, 1965 in Minsk (Belarus).
Member of the Belarusian Union of Musical Workers (2013), Association of Belarusian Music Researchers (2013), Society of Music Theory (Russia, 2014), Gesellshaft für Musikforcshung (GfM) (Germany, 2014), Belarusian Union of Composers (2019).
In 1991 – 2000, worked as a teacher of theoretical courses at the Vitebsk State Music College named after I.I.Sollertinsky. From 2000 to 2010 – at the Vitebsk State University named after P.M.Masherov: teacher (2000), senior teacher (2004), Associate Professor (2005), Deputy Dean of the Pedagogy Faculty(2006), Head of the Department of Music Theory and Musical Instruments (2009). From 2005 to 2015, worked as an Artistic Director of the State Public Institution “Vitebsk Regional Philharmonic Society”.
Since 2015, she has been working at the Belarusian State Academy of Music as a teacher of the Music Theory Department, and since 2016 – Associate Professor of the Music Theory Department. Head of the Research Department (2016). Vice-Rector for Research (from 2019 to present).
Scientific interests are concentrated in the field of problems of musical style in modern Belarusian music. The phenomenon is conceptualized as a complex of components (musical syntax, composition technique and poetics of creativity) in the historical context and theoretical system of concepts.
Dissertation for PhD in Art History in specialty 17.00.02 – Musical art: “Modern style in music and the specifics of its refraction in the work of Belarusian composers of the 1960-1990s.” Scientific supervisor: Doctor of Art History, Professor T.G.Mdivani; Belarusian State University of Culture and Arts (Minsk, 2004).
Member of the editorial board of the scientific publication of Daugavpils State University “Mūzikas zinātne šodien: pastāvīgais un mainīgais” (2005). Member of the organizing committee of the International Music Festival named after I.I.Sollertinsky (2006), initiator and curator of the philharmonic project “Weave a soul from notes” for expectant mothers (2009), organizer of the philharmonic project “Christmas Music Academy” for the talented youth of Vitebsk and the Vitebsk region (2010), organizer and presenter of scientific readings at the International Music Festival named after I.I.Sollertinsky (2010), organizer of the philharmonic project “Sveika, Muzika!” (2012-2014). Deputy editor-in-chief of the scientific and theoretical journal “News of the Belarusian State Academy of Music” (2016). Secretary of the Council for Expertise of Research, Development and Experimental Technological Works of the Ministry of Culture of the Republic of Belarus (2016), Secretary (2018) and Member (2019) of the Departmental Scientific and Technical Expert Council of the Ministry of Culture of the Republic of Belarus.
Awarded a Diploma of honor from the Ministry of Culture of the Republic of Belarus (2015, 2017).
Publications:
Musical modernity in the context of stylistic phenomena of the twentieth century // Music and globalization of culture / comp. and scientific ed. V.Yakonyuk; Scientific works of BSAM. Vol. 10. – Minsk: Education Institution “BGAM”, 2006.
Features of the styles of Belarusian composers in the last third of the twentieth century. Modern and avant-garde // Attempted mastery, ethnicity and folklore: Part 2. Part 2: Problems of theatrical, musical and cinematic art in the context of Slavic cultures in the modern world / Institute of arts, ethnology and folklore named after K.Krapiva of the NAS of Belarus; Scient. ed. A.I.Lakotka. – Minsk: Belarusian science, 2007.
The style of Modern in Belarusian music: General principles and traditions // Belarusians. T. 11. Music / T.Varfalameeva [and others]; ed.board: M.Pilipenka [and others]; scien.ed. A.Lakotka; National Academy of Sciences of Belarus, Institute of History, Ethnography and Folklore named after K.Krapiva. – Minsk: Belarusian science, 2008.
Festival as a phenomenon in the context of new ideas and national traditions (International Music Festival named after I.I.Sollertinsky) // News of the Belarusian Academy of Music. – No. 26. – 2015.
Stylistic diversity of modern Belarusian musical culture: on the issue of polystylistics // Culture of Belarus: realities of the day: National culture in the changing world: Materials of the IV International Scientific and Practical Conference (Minsk, Snow 24, 2015). – Minsk: Institute of Culture of Belarus, 2016. – P. 66 – 71.
Symphony 4 “Belaya Rus” (Antiremix) by Oleg Khodosko: To the Problem of Interaction of the Authorial Material and the Non-Authorial Text in Polystilistics // Music Science Today: the permanent and changeable: Scientific Papers. Mūzikas zinātne šodien: pastāvīgas un mainīgais/ zinatniasko rakstu Krājums. – 1 (9) – Daugavpils University: Academic press “Saule”, 2017. – P. 86 – 93.
According to the laws of beauty, harmony, eternity (to the anniversary of Andrei Mdivani) / News of the Belarusian Academy of Music. – No. 30. – 2017. – p. 161-164 (co-author).
Reference publication “Belarusian State Conservatory – Academy of Music: History in Persons (1932 – 2017)”: scientific and publishing issues // News of the Belarusian Academy of Music. – 2018. – No. 33. – P. 32 – 38.
Scientific readings of the International Music Festival named after I.I.Sollertinsky in the context of time: trends, problems, prospects // International Music Festival named after I.I.Sollertinsky: 2008–2018: Sat. Art., research, scientific materials. readings. – Vitebsk: UPP “Vit. region typ.”, 2018. – pp. 28-43.
Dialectics of “dialogical world outlook” as a stylistic paradigm of contemporary music // Music Science Today: the permanent and changeable: Scientific Papers. – No. 3 (11) – Daugavpils University: Academic press “Saule”, 2019. – P. 17 – 27.
Musical modernity: interpretation of the concept in the realities of our time. – Scientific works of the Belarusian State Academy of Music. – Issue 47. – Minsk, Belarusian State Academy of Music, 2019. – P. 46-68.
Modern ballet – postmodern ballet: a question of terminological correlations // Terms, concepts and categories in musicology: abstracts of reports. – Kazan, 2019. – P.98 || Modern ballet – Postmodern ballet: terminological correlations issues. – P.185-186.
Ballet creativity of O.Khodosko in the light of the stylistic paradigms of our time // News of the Belarusian State Academy of Music. – No. 36. – 2020. – P. 36-43.
“New Belarusian Choral Music”: Reading the National tradition in the 21st Century // Scientific Papers. – 4 (12). – Daugavpils University: Academic press “Saule”, 2020. – P. 140–153 (Matsaberidze N., Bodyako I.)
“Dialogical worldview” as a paradigm of modern musical style // Traditions and daily culture and art: collection and scient.articles Vol. 1/ chief ed. A.I.Lakotka, Research Center of Bel. culture, language and literature of the Academy of Sciences of Belarus. – Minsk: Rights and Economics, 2020. – P. 306–310.
Teaching aids:
Polyphony: Teaching methods. allowance / Comp. Matsaberidze N.V. – Vitebsk: Publishing house of the education institution “VSU named after P.Masherov”, 2003; Belarusian music // Educational and methodological complex in musical disciplines. – Vitebsk, Education Institution “VSU named after P.Masherov”, 2003; Belarusian music: Course of lectures / author – comp. Matsaberidze N.V. – Vitebsk, Education Institution “VSU named after P.Masherov”, 2009.
Compilation and scientific editing:
International Music Festival named after I.I.Sollertinsky, 1989-2011: history of the festival, memories, articles, research, materials of scientific readings / compiled by: N.V. Matsaberidze, etc. – Vitebsk: Viteb. region typ., 2012. – 340 p.
Belarusian State Conservatory – Academy of Music: history in faces (1932 –2017) / comp.: C.N. Doulova, N.V. Matsaberidze, N.G. Ganul and others. – Minsk: Belletristics, 2017. – 455 p.
International Music Festival named after I.I.Sollertinsky: 2008–2018: Collection of articles, research, materials of scientific readings / comp.: N.V.Matsaberidze, E.M.Podolyak. – Vitebsk: UPP “Vit. region type.”, 2018. – 263 p.
Professional music education at the present stage: traditions and innovations: Scientific works of the Belarusian State Academy of Music Issue 44 / Comp.: N.O.Arutyunova, N.V.Matsaberidze. – Minsk, 2018. – 232 p.
Scientific works of the Belarusian State Academy of Music. Issue 51// ed. N.V.Matsaberidze, L.F.Barankevich. – Minsk: Belarusian State Academy of Music, 2020. – 179 p.
