Position: Associate Professor of the Plucked String Percussion Folk Instruments Department Education: Belarusian State Academy of Music (2010) domra class (Honored Artist of BSSR, Professor – G.Osmolovskaya), Graduate School (2011) speciality «Musical art», Postgraduate School (2015) speciality «Musical art» Courses taught: Special instrument (domra), Ensemble, Methods of teaching special instrument, Pedagogic practice, Professionally-oriented practice
She was born on June 1986 in Novopolotsk (Vitebsk region, Belarus).
Since 2017 has been teacher at the Plucked String Percussion Folk Instruments Department of Belarusian State Academy of Music. Since 2021 – as Associate Professor of the Department. She holds classes at the Faculty of Personal Development and Staff Retraining of Belarusian State Academy of Music.
She is a member of Belarusian Union of Musical Workers (2011).
She is laureate of republican and international competitions and festivals (Russia, Belgorod, 2008, Russia, Moscow, 2010 and 2013, Russia, Nizhny Novgorod, 2011 and 2014).
She is the head and jury member of republican and international competitions of folk instruments performers:
III open Republican competition of Belarusian musical art (2015);
VIII Republican open competition of folk instruments performers named after I.Zhinovich (2018);
I Republican festival-competition of young folk instruments performers (2020);
XXVI Regional open competition named after K.Gorsky (2020);
VII Republican open competition of young performance “Belarusian talents” (2020);
IV International multigenre competition-festival “Artivities” (2020);
I International competition of dulcimer, domra and guitar performers “Virtuosos” (2021);
II Republican festival-competition of young folk instruments performers (2022).
Among her graduates there are laureates of republican and international competitions of folk instruments performers: D.Kabanova, A.Kanashits, K.Kovalenko.
She holds a lecture courses and practical classes in Institution of Personal Development and Staff Retraining of Belarusian State Institution of Culture and Arts”, holds master-classes in Children Musical Schools of Arts and Secondary Special educational institutions of the Republic of Belarus.
She is the author of performing redactions of composition for domra of Belarusian composers (S.Yankovich, V.Malykh, A.Bezenson, K.Vecher-Kovalevskaya, I.Petkevich etc.).
She the author of reviews and scientific articles at republican and international scientific-practical conferences on the issues of history, theory and methodology of folk-instrumental art in Belarus.
Publications:
Lazutskaya. Concert genre for folk instruments in art of G.Ermochenkov: to the statement of the problem / N.Lazutskaya // Collection of materials and scientific articles of international scientific-practical conference of postgraduate students and young scientists / main editor I.Bezginova. – Cheliabinsk, 2013. – P. 116-120.
Lazutskaya. Balalaika concert with orchestra of G.Ermochenkova: to the question of performing interpretation / N.Lazutskaya // Culture. Science. Arts / Ministry of Culture of the Republic of Belarus – VII International scientific-practical conference (Minsk, May 29-30, 2013) – P. 153-158.
Lazutskaya. Concert for folk instruments in the context of Belarusian art of the end of XX – the beginning of XXI centuries / N.Lazutskaya // Art from the point of view of the young: materials of VI International scientific conference / Krasnoyarsk State Academy of Music and Theatre; – Krasnoyarsk, 2014. – P. 30-32.
Lazutskaya. Concert genre for folk instruments in the art of Belarusian composers of the end of XX – the beginning of XXI centuries / N.Lazutskaya // “Traditions and modern state of culture and art: materials of International scientific-practical conference.
Lazutskaya. Concert for domra with the orchestra of V.Malykh: from analysis of musical text to performing tasks / N.Lazutskaya // News of Institution of modern knowledge: scientific-theoretical magazine. – 2014. — № 4. – P. 39–42.
Lazutskaya. Belarusian domra performing art: to the question of statement of original concert repertoire / N.Lazutskaya // Native word. – 2015. – № 9 – P. 89–92.
Lazutskaya. Music for domra in the art of Belarusian composers and domra players: ways of interaction / N.Lazutskaya // News of the Modern Knowledge Institution: scientific-theoretical magazine. – 2015. – № 3. – P. 20–24.
Lazutskaya, Instrumental concert in the light of modern tendencies of development of domra performance / N.Lazutskaya // Questions of musical performing art / compeller and scientific editor V.Yakoniuk; Scientific works of Belarusian State Academy of Music. – Ed. 36. – Minsk, 2015. – P. 210-214.
Lazutskaya. Development of professional traditions of domra performing art of Belarus / N.Lazutskaya // Musical education of XXI century: borders and perspectives / compeller N.Arutiynova; Scientific works of Belarusian State Academy of Music. – Ed. 39. – Minsk, 2016. – P. 140-145.
Lazutskaya. Domra concert “Epiphany” A.Bezenson: author’s idea and performing interpretation / N.Lazutskaya // Musical theatre in the land of European culture / compeller E.Oleinokova; Scientific works of Belarusian State Academy of Minsk. – Ed.49.
Lazutskaya. Pedagogic principals and performing activity of G.Osmolovskaya: to the issue of traditions of domra art in Belarus / N.Lazutskaya // Professional musical education at the modern stage: traditions and innovations / compeller N.Arutiunova, N.Matsaberidze; Scientific works of Belarusian State Academy of Music. – ed. 44. – Minsk, 2018. – P. 198-202.
